Do you know anyone who, upon seeing the Sriracha bottle on the dinner table, says: “That’s a good sign.”? Or who likes to enjoy a side of scrambled eggs with his hot sauce in the morning? Or who, when watching Rick Bayless make chilaquiles on the cooking channel nods his head and says, “Amen, brother, amen.”?
Well, if you do, tinga is something you should add to your repertoire. Made with only a handful of ingredients, tinga derives most of its flavor from chipotles in adobo sauce, which offer both smoke and heat. Traditionally, the dish begin by boiling a chicken, then pulling and shredding the meat from the carcass. Once the meat is off the bone, it stews with onions, chipotles, tomatoes and chicken stock. Chopped fresh cilantro finishes the dish.
Nigella Lawson’s mint sauce first appeared on our Easter table in 2003, the same year the Easter Egg Nest Cake made its debut, both recipes having appeared in the New York Times earlier that week.
Unlike the Easter Egg Nest cake, which we loved — really, we did — the mint sauce returned to the table every following Easter, the fresh combination of mint and parsley, olive oil and vinegar, capers and cornichons the perfect accompaniment to lamb no matter the preparation — roasted racks, braised shanks, broiled meatballs, pan-seared chops.
I will consider this post a success if, by the end, one of two things happens:
1. You feel inspired to tackle Moroccan cooking, immediately buy a tagine, preserve and then purée a batch of lemons, find a source for ras-el-hanout, and, in the short term at least, join me on a tagine-making bender, throwing any and everything possible into your new favorite kitchen tool.
2. You move to Schenectady so you, as I, have a Moroccan pantry in your backyard, a supply of Aneesa’s ras-el-hanout, preseved lemons, tomato jam, parsley chermoula, all of which make throwing together a Moroccan feast as effortless as popping a frozen pizza in the oven.
Either outcome will be a win for me, especially number two — perhaps we could meet for lunch? — but let’s start from the top.
Scenario #1. If you are more inclined to stay where you are and take a stab at tagine-style cooking…
…first disregard everything you know about braising, which typically calls for searing meat then finishing it in a covered pot with a small amount of liquid. Tagine cooking in essence is braising but there is no initial browning, no deglazing of the pan, no multi-step process. Everything gets thrown into the tagine at step one and forgotten until step two, at which point your food is cooked and you, pita bread in hand, are ready to attack it.
You know how sometimes a day — a year — can rip by in an instant? But somehow the ten minutes while the steak is resting feel interminable? Without gainful employment, that steak will draw you in, those crispy bits will dangle and taunt, that carving knife will reflect light in your eye until you succumb.
The only possible way to survive those torturous ten minutes is to stay busy, and I have the perfect distraction: make a simple pan sauce, something like this red wine-shallot reduction, a delectable Daniel Boulud recipe. Those ten minutes never will pass so quickly. That steak, at last, will rest without fear.
Last week, a friend, a reliable source of all things cooking — books, ingredients, attire, drinks — texted me a recipe. It came from Canal House Cooking Volume No. 6: The Grocery Store, and she described it as a small miracle.
I, of course, made the dish, “chicken and rice,” immediately, and then made it again, and then made it once more last night. The dish is miraculous foremost for its reception — we ALL gobble it up — but also for its simplicity: it’s a one-pot wonder calling for nothing more than butter, one onion, a few stalks of celery, one chicken, rice and water. I added a bay leaf because I can’t not when cooking rice — that’s what my mother does — but otherwise, I followed the text-message recipe to a T.
Before Thanksgiving this past year, I experimented with baking stuffing on a jelly roll pan. Many of you, I imagine, understand the thought process: Why limit the best part of the stuffing to a single layer? Why not make the entire stuffing taste like the crispy bits bobbing at the top?
The stuffing came out well — not well enough to share with you — but I’m hoping to have that taken care of before this November.
The experiment, however, made me want to bake everything (within reason — bread pudding, pasta gratin, etc.) on a sheet pan and thus far, I’ve had one success: this mac n’ cheese. And when I tell you there’s no going back, I mean it.
I have read over the years that good French onion soup can be made with little more than water, onions, bread and cheese.
But before last week, I had never read that good French onion soup should be made with little more than water, onions, bread and cheese, and that using chicken or beef stock in such a peasant dish not only betrays the soup’s economical roots but also muddles the soup’s pure onion flavor.
In his post on making traditional French onion soup, Michael Ruhlman describes the bistros of Lyon, France, also known as bouchons, which serve country-style fare and whose owners, often a husband and wife team, wouldn’t dare make onion soup with a costly and time-consuming stock. A “fine soup with a pure caramelized onion flavor,” he insists, requires nothing more than water, onions and a splash of wine for seasoning.
My senior year of college, a Chinese restaurant opened half a block from my apartment, and when I discovered that they used thighs to make their chicken teriyaki, I ran home to tell my roommate.
As you might imagine, my roommate neither shared nor understood my enthusiasm. Her silence spoke volumes: It mostly said, “Why should I be excited about this?” but also, “Only you would be excited about this.” (I love you, Chandra.)
I have known for a long time that most people prefer white meat chicken to dark and that no matter how many times I post a recipe featuring bone-in, skin-on thighs and drumsticks, I’m not going to make any converts. And so when I saw in last July’s Food & Wine, an issue highlighting mega-talents from the past 25 years and their tried-and-true recipes, that Nobu Matsuhisa’s recipe for classic chicken teriyaki called for boneless skinless breasts, I had to try it.
Soooo, I know it’s January 7th, and I should be eating kale and tofu and sipping on homemade kombucha, and I probably should not be interrupting your New Years’-resolution-dining regimen with visions of béchamel-slicked toast layered with black forest ham, gruyère cheese, and oozing poached eggs, but, um, well, I’m sorry?
Upon receiving Jerusalem early last summer, I poured through it cover to cover, reading about hummus wars and baba ghanoush, feeling inspired to start burning eggplants and preserving lemons with every turn of the page.
Every recipe and photo made me want to run to the kitchen, but six months later I’m only just enjoying my first real taste of the cookbook: roasted chicken with clementines, a recipe my mother has been urging me to make since the start of citrus season.
This recipe calls for high heat — 475ºF — for a long time — just under an hour — which allows the chicken skin to brown and the vegetables to caramelize beautifully. The liquid, a mixture of freshly squeezed citrus juice and some sort of anise-flavored liqueur (Arak, Ouzo or Pernod), keeps the chicken meat incredibly juicy below its crispy skin. Ottolenghi and Tamimi suggest serving this chicken with plain rice or bulgur, but the volume of slightly sweet, mustard-seed laced juices pooling below the chicken demands, in my opinion, lots of crusty bread.